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Various

"Punch, or the London Charivari, Volume 1, September 18, 1841"

We say, the immediate
effect arising from this cutting cause was one in which both parties--the
living bride and defunct bridegroom--were equally concerned, their lover's
co-partnership rendering each liable for the acts or accidents of the
other; therefore as may be (and we think is) clearly established, under
these circumstances,
"They could _not_ be _mar-ri_-ed!"
There is something deliciously affecting in the beautiful drawing out of
the last syllable!--it seems like the lingering of the heart's best
feelings upon the blighted prospects of its purest joys!--the ceremony
that would have completed the union of the loving maiden and admiring
swain, blending, as it were, like the twin prongs of a brass-bound
toasting-fork, their interests in one common cause. The ceremony of love's
concentration can never be performed! but the heart-feeling poet extends
each tiny syllable even to its utmost stretch, that the tear-dropping
reader may, while gulping down his sympathies, make at least a handsome
mouthful of the word.
We now approach, with considerable awe, a portion of our task to which we
beg to call the undivided attention of our erudite readers. Upon referring
to the original black-letter quarto, we find, after each particular
sentence, the author introduces, with consummate tact, a line, meant, as
we presume, as a kind of literary resting-place, upon which the delighted
mind might, in the sweet indulgence of repose, reflect with greater
pleasure on the thrilling parts, made doubly thrilling by the poet's fire.


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