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Nichol, John, 1833-1894

"Byron"

]
Though much of this year of his life was passed unprofitably, from it
dates the impulse that provoked him to put forth his powers. The
_Edinburgh_, with the attack on the _Hours of Idleness_, appeared in
March, 1808. This production, by Lord Brougham, is a specimen of the
tomahawk style of criticism prevalent in the early years of the century,
in which the main motive of the critic was, not to deal fairly with his
author, but to acquire for himself an easy reputation for cleverness, by a
series of smart contemptuous sentences. Taken apart, most of the
strictures of the _Edinburgh_ are sufficiently just, and the passages
quoted for censure are all bad. Byron's genius as a poet was not
remarkably precocious. The _Hours of Idleness_ seldom rise, either in
thought or expression, very far above the average level of juvenile verse;
many of the pieces in the collection are weak imitations, or commonplace
descriptions; others suggested by circumstances of local or temporary
interest, had served their turn before coming into print. Their prevailing
sentiment is an affectation of misanthropy, conveyed in such lines as
these:--
Weary of love, of life, devour'd with spleen,
I rest, a perfect Timon, not nineteen.


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