Most frequently
it has served as a pretext for reaction, or a red signal. In this
instance--as afterwards in 1848--overt acts of violence made the powers of
despotism more alert, and conduced with the half-hearted action of their
adversaries to the suppression of the rising of 1820-21. Byron's sympathy
with the movement seems to have been stimulated by his new associations.
Theresa's brother, Count Pietro, an enthusiastic young soldier, having
returned from Rome and Naples, surmounting a prejudice not wholly
unnatural, became attached to him, and they entered into a partnership in
behalf of what--adopting a phrase often flaunted in opposite camps--they
called constitutional principles. Finally the poet so committed himself to
the party of insurrection that, though his nationality secured him from
direct attack, his movements were necessarily affected by the fiasco. In
July the Gambas were banished from the Romagna, Pietro being actually
carried by force over the frontier; and, according to the articles of her
separation, the Countess had to follow them to Florence. Byron lingered
for some mouths, partly from a spirit of defiance, and partly from his
affection towards a place where he had enlisted the regards of numerous
beneficiaries.
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