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Nichol, John, 1833-1894

"Byron"

Byron is resuming his place: his spirit
has come again to our atmosphere; and every budding critic, as in 1820, is
impelled to pronounce a verdict on his genius and character. The present
times are, in many respects, an aftermath of the first quarter of the
century, which was an era of revolt, of doubt, of storm. There succeeded
an era of exhaustion, of quiescence, of reflection. The first years of the
third quarter saw a revival of turbulence and agitation; and, more than
our fathers, we are inclined to sympathize with our grandfathers. Macaulay
has popularized the story of the change of literary dynasty which in our
island marked the close of the last, and the first two decades of the
present, hundred years.
The corresponding artistic revolt on the continent was closely connected
with changes in the political world. The originators of the romantic
literature in Italy, for the most part, died in Spielberg or in exile. The
same revolution which levelled the Bastille, and converted Versailles and
the Trianon--the classic school in stone and terrace--into a moral
Herculaneum and Pompeii, drove the models of the so-called Augustan ages
into a museum of antiquarians.


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