The improvements in
the technique of taking the pictures and of projecting them on the
screen are legion, but the fundamental features have not been changed.
Yes; on the whole the development of the last two decades has been a
conservative one. The fact that every producer tries to distribute his
films to every country forces a far-reaching standardization on the
entire moving picture world. The little pictures on the film are still
today exactly the same size as those which Edison used for his
kinetoscope and the long strips of film are still gauged by four round
perforations at the side of each to catch the sprockets which guide the
film.
As soon as the moving picture show had become a feature of the
vaudeville theater, the longing of the crowd for ever new entertainments
and sensations had to be satisfied if the success was to last. The mere
enjoyment of the technical wonder as such necessarily faded away and the
interest could be kept up only if the scenes presented on the screen
became themselves more and more enthralling. The trivial acts played in
less than a minute without any artistic setting and without any
rehearsal or preparation soon became unsatisfactory. The grandmother who
washes the baby and even the street boy who plays a prank had to be
replaced by quick little comedies.
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