He sits at the fireplace in his study and receives the
letter with the news of her wedding. The close-up picture which shows
us the enlargement of the engraved wedding announcement appears as an
entirely new picture. The room suddenly disappears and the hand which
holds the card flashes up. Again when we have read the card, it suddenly
disappears and we are in the room again. But when he has dreamily
stirred the fire and sits down and gazes into the flames, then the room
seems to dissolve, the lines blur, the details fade away, and while the
walls and the whole room slowly melt, with the same slow transition the
flower garden blossoms out, the flower garden where he and she sat
together under the lilac bush and he confessed to her his boyish love.
And then the garden slowly vanishes and through the flowers we see once
more the dim outlines of the room and they become sharper and sharper
until we are in the midst of the study again and nothing is left of the
vision of the past.
The technique of manufacturing such gradual transitions from one picture
into another and back again demands much patience and is more difficult
than the sudden change, as two exactly corresponding sets of views have
to be produced and finally combined. But this cumbersome method has been
fully accepted in moving picture making and the effect indeed somewhat
symbolizes the appearance and disappearance of a reminiscence.
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