, with
the face of a kindly child, not of a king; upon the Sphinx, bereft of
its companion, which crouches before the kiosk of Taharga, the King of
Ethiopia; upon those two who stand together as if devoted, yet by their
attitudes seem to express characters diametrically opposed, grey men and
vivid, the one with folded arms calling to Peace, the other with arms
stretched down in a gesture of crude determination, summoning War, as
if from the underworld; upon the granite foot and ankle in the temple
of Rameses III., which in their perfection, like the headless Victory
in Paris, and the Niobide Chiaramonti in the Vatican, suggest a great
personality that once met with is not to be forgotten: upon these and
their companions, who would not forsake the halls and courts where once
they dwelt with splendor, where now they dwell with ruin that attracts
the gaping world. The moon was risen, but the west was still full of
color and light. It faded. There was a pause. Only a bar of dull
red, holding a hint of brown, by where the sun had sunk. And minutes
passed--minutes for me full of silent expectation, while the moonlight
grew a little stronger, a few more silver rays slipped down upon the
ruins. I turned toward the east. And then came that curious crescendo of
color and of light which, in Egypt, succeeds the diminuendo of color
and of light that is the prelude to the pause before the afterglow.
Everything seemed to be in subtle movement, heaving as a breast heaves
with the breath; swelling slightly, as if in an effort to be more, to
attract attention, to gain in significance.
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