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Various

"Punch, or the London Charivari, Volume 1, September 5, 1841"


[1] The first growth of wool.
The sculptor, seated in his _studio_, throws loose the reins of his
imagination, and, conjuring up some perfect ideality, seeks to impress the
beautiful illusion on the rude and undigested mass before him. The tailor
spreads out, upon his ample board, the happy broadcloth; his eyes scan the
"measured proportions of his client," and, with mystic power, guides the
obedient pipe-clay into the graceful diagram of a perfect gentleman. The
sculptor, with all the patient perseverance of genius, conscious of the
greatness of its object, chips, and chips, and chips, from day to day; and
as the stone quickens at each touch, he glows with all the pride of the
creative Prometheus, mingled with the gentler ecstacies of paternal love.
The tailor, with fresh-ground shears, and perfect faith in the gentility
and solvency of his "client," snips, and snips, and snips, until the
"superfine" grows, with each abscission, into the first style of elegance
and fashion, and the excited schneider feels himself "every inch a king,"
his shop a herald's college, and every brown paper pattern garnishing its
walls, an escutcheon of gentility.
But to dismount from our Pegasus, or, in other words, to cut the poetry,
and come to the practice of our subject, it is necessary that a perfect
gentleman should be cut _up_ very high, or cut _down_ very low--_i.e._, up
to the marquis or down to the jarvey.


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