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Various

"Punch, or the London Charivari, Volume 1, September 5, 1841"

This is
accounted for on no other supposition, than the proverbial gallantry of
gentlemen from Warsaw.
_Martinuzzi_, possessing a ward whom he is anxious should wed the queen,
opens the third act by declaring he will "precipitate the match," and so
the author considerately sends _Czerina_ to him, to talk the matter over.
But the young lady gets into a passion, and the Cardinal declares he can
make nothing of her, in the following passage:--
"Fool! I can make thee nothing but a laugh."
A sentiment to which the audience gave a most vociferous echo. The damsel
is angry that she may not have the man she has chosen, and threatens to
faint, but defers that operation till her lover's arms are near enough to
receive her; which they happen to be just in time, for _Martinuzzi_
retires and _Castaldo_ comes on. _Czerina_, to be quite sure, exclaims,
"_Are_ these thy arms?" (_sic_) and finally faints in the lover's embrace,
so as to exhibit a picturesque cuddle.
_Queen Isabella_ is discovered, in the second scene of this act, perusing
the much vaunted "papers" with intense interest. Unluckily _Castaldo_
chooses that moment to complain, that _Martinuzzi_ will not let him marry
her rival. The queen, being by no means a temperate person, and wondering
at his impudence in telling _her_ such a tale, raves thus:--
"My soul's on fire I'm choked, and seem to perish;
_But will suppress my scream_"
Probably for fear of compromising _Castaldo_, who is alone with her; and
she ends the act by requesting the Austrian to murder _Martinuzzi_; to
which he is so obliging as to consent, the more so, as an order comes from
the Secretary of State for foreign affairs, of his own government, to "cut
off" (_sic_) the Regent.


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