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Various

"Punch, or the London Charivari, Volume 1, September 5, 1841"


The likeness of departed majesty, robed in the matchless splendour of a
ruler's state, redolent with all the mimic glories of a king's insignia,
the modelled puppet from the senseless clay, that wore in life the
imperial purple, and moved a breathing thing, chief actor in its childish
mummeries, may here be seen shining in tinselled pomp, in glittering
contrast to the blood-stained shirt through which the dagger of Ravaillac
reached the bosom of the murdered Henry.
The "Real Robes" of the dead George give value to his waxen image! The
heart's-blood of the slaughtered Henry immortalises the linen bearing its
hideous stain. The daring leader of France's countless hosts--the
wholesale slaughterer of unnumbered thousands--ambition's mightiest
son--now ruling kingdoms and now ruled by one--once more than king--in
death the captive of his hated foes--"the great Napoleon!" shares the
small space with the enshrined Fieschi!
The glorious triumphs of the mighty Wellington are here no better
passports than the foul murders of the atrocious Burke; the subtle
Talleyrand, the deep deviser of political schemes, ruler of rulers, and
master mover of the earth's great puppets, is not one jot superior to the
Italian mountebank, whose well-skilled hand drew tones from catgut
rivalling even the ideal trumpet of great Fame herself!
By some strange anomaly, _success_ and _failure_ alike render the
candidates admissible--no matter the littleness of the source from whence
they sprung.


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